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The Real Ambassadors : ウィキペディア英語版 | The Real Ambassadors
''The Real Ambassadors'' is a jazz musical developed in the late 1950s and early 1960s by Dave and Iola Brubeck, in collaboration with Louis Armstrong and his band. It addressed the US Civil Rights Movement, the music business, America’s place in the world during the Cold War, the nature of God, and a number of other themes. It was set in a fictional African nation called Talgalla, and its central character was based on Armstrong and his time as a jazz ambassador.〔Von Eschen, Penny M. ''Satchmo Blows the World'', 2004, pp. 81, 89-90.〕 ==Background==
In writing this work, the Brubecks drew upon experiences they and their friends and colleagues had touring various parts of the world on behalf of the US State Department. The Brubecks and Armstrong (among many other musicians such as Dizzy Gillespie, Benny Goodman, and Duke Ellington) were part of a campaign by the State Department to spread American culture and music around the world during the Cold War, especially into countries whose allegiances were not well defined or that were perceived as being at risk of aligning with the Soviet Union. Fittingly, ''The Real Ambassadors'' was about the important role that musicians play as unofficial ambassadors for their countries. Among the events referenced, directly or indirectly, were the 1956 student riots in Greece in which stones were thrown at the US Embassy, which dissipated following performances by Dizzy Gillespie; Louis Armstrong’s 1956 visit to Ghana as the guest of Prime Minister Kwame Nkrumah; and Armstrong’s dispute with the Eisenhower Administration and President Eisenhower personally over the handling of the 1957 Central High School Crisis in Little Rock, Arkansas.
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